Wednesday, April 30, 2014

Hot Press, and Cold Press papers...  Whats the diff?

In watercolor world, what’s the difference between cold press and hot press watercolor paper? Why, let me show you…
Do you remember the red maple leaf we painted the other day? Well, I painted two of them at the same time using the same steps and the same paints. Here is what they look like:
Cold press watercolor paper (left) has texture. Little bumps and groves holds in the water and pigment. It really sucks up the water pretty quickly. Cold press is a good choice when you want to convey texture in your subject.
Hot press (right) is super smooth. No texture with this paper. This paper doesn’t suck up the water as fast as the cold press, allowing you to play around more, like re-wetting edges of pigment.
Notice the colors of the two leaves! This is what I discovered when painting them side-by-side, the hot press is more vivid and bright. The cold press is a little more dull…but I used the same paints! Does it have to do with the absorbance of the paper? Maybe? Maybe the pigment gets imbedded in the cold press paper and soaks thoroughly and perhaps the pigment on the hot press dries closer to the surface. Or maybe the tiny groves in the cold press creates an overall shadow to the eye? Hmmm…interesting.
Here is a close up of the upper right section:
Cold Press. Can you see the texture in the paper?
Hot Press. Really smooth.
Buy both papers, don’t limit yourself to just one type…play…have fun! I hope this helps clear up the confusion about cold and hot press watercolor paper.

This information is from Let's Paint Nature!
Hiking & Painting in Nature – Chicago

Friday, April 25, 2014

This is a Jeep Oil painting I recently completed.  It is on a 16X20 inch black canvas.  Hope you enjoy the painting.
Pencils Pencils Pencils

Ever wonder what the letter designation and number mean on a pencil?


NUMERICAL GRAPHITE SCALE
The first graphite grading scale is a numeric scale. Using this scale, the hardness of the core is often marked on the pencil — look for a number (such as “2″ “2-1/2″ or “3″). The higher the number the harder the writing core and the lighter the mark left on the paper. As the pencil core becomes softer (through the use of lower proportions of clay) it leaves a darker mark as it deposits more graphite material on the paper. Softer pencils will dull faster than harder leads and require more frequent sharpening.

HB GRAPHITE SCALE
The second graphite grading scale is known as the HB scale. Most pencil manufacturers outside of the U.S. use this scale, using the letter “H” to indicate a hard pencil. Likewise, a pencil maker might use the letter “B” to designate the blackness of the pencil’s mark, indicating a softer lead. The letter “F” is also used to indicate that the pencil sharpens to a fine point.

Historically, pencil makers also use combinations of letters — a pencil marked “HB” is hard and black; a pencil marked “HH” is very hard, and a pencil marked “HHBBB” is very hard and really, really black! Although today most pencils using the HB system are designated by a number such as 2B, 4B or 2H to indicate the degree of hardness. For example, a 4B would be softer than a 2B and a 3H harder than an H.

GRAPHITE SCALE COMPARISONS
Generally, an HB grade about the middle of the scale is considered to be equivalent to a #2 pencil using the U.S. numbering system.

In reality however, there is no specific industry standard for the darkness of the mark to be left within the HB or any other hardness grade scale. Thus, a #2 or HB pencil from one brand will not necessarily leave the same mark as a #2 or HB pencil from another brand. Most pencil manufacturers set their own internal standards for graphite hardness grades and overall quality of the core, some differences are regional. In Japan, consumers tend to prefer softer darker leads; so an HB lead produced in Japan is generally softer and darker than an HB from European producers.


Finding what works best for your own artistic and writing needs is generally a matter of personal preference and experimentation with different brands of pencils.


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